About me

Winnie Soon is an artist-researcher-coder-educator whose works intersect art, cultural studies and programming practice. She has a MA from School of Creative Media, City University of Hong Kong and a MSc from Institute of Digital Art and Technology, Plymouth University in UK, and 10 years experience as a programmer, designer, information architect and project manager in both corporate and educational settings. She has recently completed a PhD at the Center for Participatory IT (School of Communication and Culture), Aarhus University with the topic titled “Executing Liveness: An examination of code inter-actions in software (art) studies”. She has awarded the Top-Ranked LABS Abstracts 2017 by Leonardo and the winner of The 2018 Aarhus University Research Foundation PhD award. Currently, she is Assistant Professor at the Department of Digital Design and Information Studies in Aarhus University, teaching Aesthetic Programming and Digital Culture.

Informed by the cultural, social and political context of technology, Winnie’s work approach spans the fields of artistic practice, contemporary art, software studies, cultural studies and computer science, examining the materiality of computational processes that underwrite our experiences and realities in digital culture via artistic and/or coding practice. Her works explore themes/concepts around digital culture, including internet censorship, images politics, data circulation, code and real-time processing/liveness, etc. Her projects and lectures have been presented internationally at museums, art festivals, universities and conferences, including but not limited to ZKM, Transmediale2015/2017 (Berlin), ISEA2015/2016 (Vancouver, Hong Kong), V&A Museum (London), ARoS Aarhus Art Museum (Aarhus, Denmark), Si Shang Art Museum (Beijing), Pulse Art + Technology Festival (Savannah, USA), FutureEverything Art Exhibition (Manchester), The Wrong – New Digital Art Biennale, Hong Kong Microwave International Media Arts Festival, Taipei National University of Arts, Karlsruhe University of Arts and Design and The University of Hong Kong.

Winnie’s current research focuses on Exploratory and Aesthetic Programming, working on two projects, including a book titled “Aesthetic Programming: A Handbook of Software Studies, or Software Studies for Dummies” (with Geoff Cox), and a book titled “Fix My Code” (with Cornelia Sollfrank).

Research interest: Artistic Practice/Research, Machine Learning and Natural Language Processing in Art and Culture, Software Studies, Internet/Software Art, Humanistic/Exploratory/Aesthetic Programming.

Contact: rwx[at]siusoon[dot]net

Full CV

Github: https://github.com/siusoon

Publication articles: https://au.academia.edu/winniesoon/Papers

Public Presentation: http://www.slideshare.net/siusoon/

PhD Thesis: Executing Liveness: An examination of the live dimension of code inter-actions in software (art) practice

 

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Within 500 characters/100 words Bio:

Winnie Soon is an artist-researcher-coder-educator who resides in Hong Kong and Denmark. Her works explore themes/concepts around digital culture, including internet censorship, data circulation, image politics, code and real-time processing, etc. Winnie’s projects have been exhibited and presented internationally at museums, festivals, universities and conferences across Europe, Asia and America. Her current research focuses on exploratory and aesthetic programming, working on two books titled “Aesthetic Programming” (with Geoff Cox) and “Fix My Code” (with Cornelia Sollfrank). She is Assistant Professor at Aarhus University.

Within 150 words Bio:

Winnie Soon is an artist-researcher-coder-educator who resides in Hong Kong and Denmark. Informed by the cultural, social and political context of technology, Winnie’s work approach spans the fields of artistic practice, contemporary art, software studies, cultural studies and computer science, examining the materiality of computational processes that underwrite our experiences and realities in digital culture via artistic and/or coding practice. Her works explore themes/concepts around digital culture, including internet censorship, images politics, data circulation, code and real-time processing/liveness, etc. Winnie’s projects have been exhibited and presented internationally at museums, festivals, universities and conferences across Europe, Asia and America. Her current research focuses on exploratory and aesthetic programming, working on two books titled “Aesthetic Programming: A Handbook of Software Studies, or Software Studies for Dummies” (with Geoff Cox) and “Fix My Code” (with Cornelia Sollfrank). She is Assistant Professor at Aarhus University. More info: http://www.siusoon.net
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